Sue Lee, Week #3-4, SEM and Image Processing


The block copolymer pattern was a random, “fingerprint” pattern,
because we did not implement the necessary hydrogen silsesquioxane (HSQ) posts
that create ordered patterns. The process of implementing HSQ posts is long and
time-consuming, and I hope to be able to learn this during my time here.
Furthermore, I began a project involving image processing
this week. So far, Brian has found out a way to convert a given binary array
into an ideal visual representation of the block copolymer patterns, but has
not been able to figure out a way to take an image produced by the SEM and convert it into a binary array of +1s and -1s. - which will be my task. It will
indeed take an incredible amount of coding and I am very excited to attempt at something no one in the lab has yet! I began by taking an SEM image
of a block copolymer pattern that I have found in one of the literature review
articles Brian shared with me. My thinking was to assign each element of the
image: the copolymers, the posts, and the background, different colors so that
the computer could differentiate between each element. I did this through a
process called image segmenting, which is the process of converting grayscale
images into binary images by utilizing a certain level or threshold. So to
obtain these two images I used different threshold values between 0 and 1 and
was able to obtain a solid white color for the block copolymers for the first
image and the posts for the second image.
While I was exploring how to use image processing in Matlab i
learned an interesting tool called "regionprops" that measures properties of
image regions. One of the properties called “bounding boxes” helped me find the
number of posts in the pattern without me having to count all of them
individually, which I thought was a pretty neat tool.
So with the two images I obtained earlier I proceeded to align
them so that I could create the grid on top of a unified image. This process is
also known as image registration, and I used a function called "imregister" to
create this image here.
Then, I decided to create a grid on top of the image so that I can
segment each square of area between two posts or state and figure out which
type of pixel is most existing in the square, which will then help me determine
whether there was a connection between the selected posts or not. I had
numerous attempts at trying to create the grid so that each square contained
either one post or one state. But no matter what width I used for the squares
of the grid, I simply couldn’t obtain this perfect image I had in mind. Brian
noted that there were double posts in this BCP pattern and that the angle of the block copolymers may not be perfectly
perpendicular (due to possible defects in SEM images), which would make it extremely difficult for creating a perfect grid.
Instead, he suggested that I use the ideal representation of a
pattern and try to manipulate the image from there. Afterwards, I followed the
same steps of segmenting so that I could isolate just the posts in one image
and just the block copolymers in another. The grid was much more orderly than
before, but it was still difficult to have each square obtain exactly one post
or one state. So, instead of creating a grid, I decided to find the approximate
coordinates of each state (for all 351 states in this particular image) and
draw a square surrounding the state by using those coordinates. Then, using the
lower segmented image, whether the square contains more white pixels or black
pixels will help me determine whether there is or isn’t a connection between
the posts. To do this I would have to first find the coordinates of the
center of the posts, which did by using the property "centroids" with the "regionprops" tool.
I have had the chance to have another meeting with Professor Berggren, where he suggested another possible method of using simulated annealing to be able to use an SEM image directly, instead of an ideal representation of such image. I will be exploring his suggestion once I complete my current assignment.
Going to the Museum of Fine Arts as well as the Isabella Stewart Gardner Museum the past weekends has been mesmerizing in completely different ways. I loved the Isabella Museum, a gallery (and former home) surrounding an absolutely magnificent garden courtyard.
I'm excited to be giving a presentation to the lab members next Friday about the work I've done so far!
Going to the Museum of Fine Arts as well as the Isabella Stewart Gardner Museum the past weekends has been mesmerizing in completely different ways. I loved the Isabella Museum, a gallery (and former home) surrounding an absolutely magnificent garden courtyard.
I'm excited to be giving a presentation to the lab members next Friday about the work I've done so far!
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